6 bass registers - the chrome plating is nice and shiny,
difficult to show in a picture
Professional glossy black body
Very clean 17-fold bellows
New backpad for bellows protection
New leather padded shoulder straps - 3" wide for comfort
- the best on the market
~26 lb
Very good original hard-shell case
Looking
at some design details I would assume this accordion was made in the
late 50s or early 60s. It is hard to believe it could be so clean and
shiny with all original parts in like-new condition after all these
years. At some point the instrument must have been amplified. All
cables and microphones have been removed. There are 3 small holes on
the grill from the Tone/Volume potentiometers and the pick-up. They are
now covered by black tape. You need to be close to the instrument or
look at a particular angle to see the tape. I've shown it in the
pictures below. The interior looks fantastic. Please, note the neat
mechanism for the indicators on top of the accordion showing the
current reed configuration for treble and bass. The reeds are pristine,
never tuned after the instrument left the factory. As a matter of fact,
I couldn't find any tuning marks on the outer surface of the reed
tongues. This proves a very precise tuning job on the provino (before
the reed plates were first waxed to the blocks) and only fine tuning
inside the accordion.
Enjoy the pictures and if you like the instrument give it a new home.
New shoulder straps and bellows protector.
Beautiful Lucite key tops with nice round edges - keyboard was adjusted for a 4 mm travel and feels like brand new.
Bellows fold are lined up with silk.
The serial number is proudly displayed on each reed block, sound boards, tone chamber, treble and bass resonators ...