The
interior is
beautifully finished. The tone chamber is made of single piece aged
mahogany.
The accordion has matured nicely and
grown to its full potential.
The harmonic richness is truly impressive.
The
number on the reed
blocks is 083. I have serviced about a dozen of these models over
thelast 20 years.
There are not many of them made. I believe this number is for the
Royal
models while the 33515 number on the back
of the accordion is a general serial number running across all Titano
models. It is reasonable to assume that in a
good year the company would make few hundred accordions of all models
but only 10-20 Royal models.
The 083
internal serial number and the evolution of the tone chamber
(from rectangular to round) makes me think
this instrument was made in the 1960s.
The
reed blocks are
identical to the reed blocks found in the 1950's Scandalli Super
VI.Even more interestingly, the
mounting of the bass blocks is the same and only found in these two
models - Scandalli Super VI and Titano Royal.
I have no doubts there has been some collaboration between the
manufacturers.
I
re-waxed the reed blocks in 2016 and performed a complete tuning. The
instrument has been with a professional accordionist for the last 8
years. I bought it back recently. The tuning holds amazingly well. The
wax and reed leathers are in excellent condition. You can listen to
the sound demo and appreciate the tonal quality.
The
accordion features
spectacular hand-made double riveted BINCI reeds.
Below
is a picture of the bass reed blocks. If you are familiar with the
1950s Scandalli Super VI accordions and see this picture you would bet
this is a Super VI accordion. The architecture and design of the reed
blocks and much of the accordion body and mechanics are the same.
While the Super VI has a standard low-C reed configuration, this
Titano Royal model features low-A bass with enhanced depth and tonal
richness.
The
bass machine has been cleaned and lubricated. The action is great.

Call
973-219-9259 with any questions or to schedule your visit to the
Accordion Gallery.